A friend asks me, what happens at the moment when the literal production appears. Here it is my answer to that: the “momentum” of the literal production that one in which the poet has a transposition from the real world for the written world, appears of a force, an impetus that invites a poet to live in a parallel universe, in which the reality passes to the second plan and the ideas come to the first one. It is the instant where the thoughts get free of the circumstantial context, it flows and it searches to register an aesthetic direction and/or a fantastic realism. As if we were walking and, surprisingly, a hand pulled in our arm, to know the interior of an art gallery, without losing, however, the contact with the exterior world. Of the inspiration to the writing, it has an almost imperceptible threshold.
The mind immersed in the thought looks a complete direction since the presentation to the conclusion of the act of speaks. Coming back to the real world depends on the extension of the text and the decision of the poet in finishing the activity of language. In the case of the writing the decision is, almost always, on account of the writer. Either in the poetry, either in the scientific texts, there is a beginning time. It has a certain trend in wanting to deplete the subject. When returning, reluctance in passing to another activity exists, to abandon the concentration. It fits to say that when writing, we direct the subjective interlocutor’s eyes, since the speech does not survive alone.
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